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The most common of these types of trashy, low-budget, drive-in favorites with poor acting were produced by sleaze-merchant Harry Novak. Rated X originally (but re-rated as NC-17 in 1990), this T & A exploitation spoof film was made for a

The most common of these types of trashy, low-budget, drive-in favorites with poor acting were produced by sleaze-merchant Harry Novak. Rated X originally (but re-rated as NC-17 in 1990), this T & A exploitation spoof film was made for a $1 million budget, but grossing $40 million overall.This was the first studio film of successful independent 'nudie-cutie' king Russ Meyer who was the sexist, exploitative director of Faster Pussycat, Kill! The cult melodrama, with a twisted plot filled with sex, drugs, and rock 'n' roll, was one of the most successful 20th Century Fox films ever made.It was Hollywood's first attempt at exploring transgender issues - yet the dated and fictionalized film (although respectful) contained howlingly bad acting, dialogue, and writing.The poster proclaimed - "I couldn't live in a man's body!Do not hesitate to come inside a special room which is a true haven for 3D young beauties from all over the world, these 3Ds love to strip off and get fucked by huge cocks, although sometimes enjoy themselves with other girls!All types of hardcore reality action can be found with hot 3Ds engaged; they do everything, from blowjobs to gang bangs! No need to repeat that the site features horny 3D girls in softcore and hardcore pictures only! The trailer described its exciting premise, with "hot cars, blazing guns and beautiful women." It was another bosomania action tale of sex-crazed individuals in an Arizona-Mexico border town, featuring a corrupt sheriff (Charles Napier as Harry), drug-dealing and pot smuggling, shoot-outs, beatings and car-crashes. It was also noted, typical for a Meyer fantasy erotic film, for its love triangle between Harry, Cherry, and Raquel, including lesbianism.

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The most common of these types of trashy, low-budget, drive-in favorites with poor acting were produced by sleaze-merchant Harry Novak. Rated X originally (but re-rated as NC-17 in 1990), this T & A exploitation spoof film was made for a $1 million budget, but grossing $40 million overall.

This was the first studio film of successful independent 'nudie-cutie' king Russ Meyer who was the sexist, exploitative director of Faster Pussycat, Kill! The cult melodrama, with a twisted plot filled with sex, drugs, and rock 'n' roll, was one of the most successful 20th Century Fox films ever made.

It was Hollywood's first attempt at exploring transgender issues - yet the dated and fictionalized film (although respectful) contained howlingly bad acting, dialogue, and writing.

The poster proclaimed - "I couldn't live in a man's body!

Do not hesitate to come inside a special room which is a true haven for 3D young beauties from all over the world, these 3Ds love to strip off and get fucked by huge cocks, although sometimes enjoy themselves with other girls!

All types of hardcore reality action can be found with hot 3Ds engaged; they do everything, from blowjobs to gang bangs! No need to repeat that the site features horny 3D girls in softcore and hardcore pictures only!

The trailer described its exciting premise, with "hot cars, blazing guns and beautiful women." It was another bosomania action tale of sex-crazed individuals in an Arizona-Mexico border town, featuring a corrupt sheriff (Charles Napier as Harry), drug-dealing and pot smuggling, shoot-outs, beatings and car-crashes. It was also noted, typical for a Meyer fantasy erotic film, for its love triangle between Harry, Cherry, and Raquel, including lesbianism.

Harry's crime partner was the powerful but bed-ridden Mr. Statuesque and well-endowed Uschi Digard (aka Astrid Lillimoor) also starred as the German-speaking Native American ghost Soul, who posed nude against various desert locations, sometimes with an Apache feather headdress.

million budget, but grossing million overall.

This was the first studio film of successful independent 'nudie-cutie' king Russ Meyer who was the sexist, exploitative director of Faster Pussycat, Kill! The cult melodrama, with a twisted plot filled with sex, drugs, and rock 'n' roll, was one of the most successful 20th Century Fox films ever made.

It was Hollywood's first attempt at exploring transgender issues - yet the dated and fictionalized film (although respectful) contained howlingly bad acting, dialogue, and writing.

The poster proclaimed - "I couldn't live in a man's body!

Do not hesitate to come inside a special room which is a true haven for 3D young beauties from all over the world, these 3Ds love to strip off and get fucked by huge cocks, although sometimes enjoy themselves with other girls!

All types of hardcore reality action can be found with hot 3Ds engaged; they do everything, from blowjobs to gang bangs! No need to repeat that the site features horny 3D girls in softcore and hardcore pictures only!

The trailer described its exciting premise, with "hot cars, blazing guns and beautiful women." It was another bosomania action tale of sex-crazed individuals in an Arizona-Mexico border town, featuring a corrupt sheriff (Charles Napier as Harry), drug-dealing and pot smuggling, shoot-outs, beatings and car-crashes. It was also noted, typical for a Meyer fantasy erotic film, for its love triangle between Harry, Cherry, and Raquel, including lesbianism.

Harry's crime partner was the powerful but bed-ridden Mr. Statuesque and well-endowed Uschi Digard (aka Astrid Lillimoor) also starred as the German-speaking Native American ghost Soul, who posed nude against various desert locations, sometimes with an Apache feather headdress.

" Donald: "A queen doing a Bette Davis imitation."During the early stages of the party, Michael told Donald: "Donald, you are a real card carrying cunt." Emory bluntly asked: "So, who do you have to f--k to get a drink around here?

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Ives's (Edy Williams) invitation: "You're a groovy boy.

I'd like to strap you on sometime."This milestone film from director William Friedkin (an adaptation of Mart Crowley's off-Broadway 1968 stage play, with the original stage actors) was notable as being the first Hollywood feature film to examine the homosexual culture and community in close-up fashion, and to portray gays as human beings who could have a sense of camaraderie.

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